Uota IV (Guards) - Festivity at Humboldt - Pastell chalk, crayon on paper, ink on gold leaf, ~40 x 28cm, 2022
Kopf eines Hirsches getötet durch einen Pfeil (nach Albrecht Dürer) 2024 Project: Sacrifice – What is worth more, art or life? Water colour, pastel chalk on paper, wooden arrow with feathers through glass, paper, 45 x 30cm chalk Replica of an original Renaissance frame from Flanders. Secret sheet behind: Getötet durch einen Pfeil 2024 Drawing on paper/mixed media Polaroid with a snippet of the hidden work, wrapped in silk paper.
Dindon (nach Jacques Barraband, 1767-1809) 2024, Aquarell auf Papier, Pastellkreide auf Papier, NATO Patrone .223 Remington, Verborgens Werk, 27 x 36 cm
Agnus Dei (nach Francisco de Zurbarán 1635 -1640) 2024 Acryl, Öl, Pastellkreide auf Papier, mit Nadel geritztes Papier, 62 x 38cm Rahmen Klavierlack Ende 19 Jahrhundert Gloriole/Strahlenkranz aus Verbundglas 4mm Malleus Aurum Verborgenes Werk 2024 Zeichnung/Mixed Media, 42 x 28cm
Schroedinger´s Bird 1 - Chalk Pastels on Paper, 68 x 79cm, 2016 - Photograph: © Andreas Baudisch, Galerie Gerken, Berlin
An Experiment under a Concrete Slab - Chalk Pastels on Paper, 200 x 152cm, 2019 - Kunsthalle Rostock
An Experiment under a Concrete Slab - Chalk Pastels on Paper, 200 x 152cm, 2019 - Galerie Gerken, Berlin - Photograph: © Andreas Baudisch
An Experiment on a Bird in the Air Pump (Miniature) - Chalk pastels on paper, 22,5cm x 17cm, 2016 - Photograph: © Andreas Baudisch, Galerie Gerken
Pitch Bird '2, (Pechvogel), 2019, Sheet: 95 x 88cm (Detail: 80 x 60cm), Chalk pastels, gold leaf on paper; ink on gold leaf, Frame: American alder,glazed reddish dark brown, museum glass, Project: 'How to manage the Apocalypse?'
Hyenic '1, (Hyänisch), 2019, Sheet: 25,5 x 31,5cm Feather, ink, gold leaf on paper, Frame: American alder,glazed reddish brown, museum glass, Project: 'How to manage the Apocalypse?'
How to manage? '1, (Wie managen?), 2019, Sheet: 38,5 x 48,5 cm, Ink, gold leaf on paper, Frame: American alder,glazed reddish brown, museum glass, Project: 'How to manage the Apocalypse?'
MACULATA '1, 2019, Chalk pastels, oil, ink, gold leaf on paper, Frame: American alder,glazed reddish brown, museum glass, Project: 'How to manage the Apocalypse?'
Control Room (School) Vol.01, (Kontrollraum), 2019, Book, Project: 'How to manage the Apocalypse?'
The End of Discussion '2, (Das Ende der Diskussion), 2019, Sheet: 56 x 40cm, Ink, gold leaf on paper, Frame: American alder,glazed reddish brown, museum glass, Project: 'How to manage the Apocalypse?'
Exhibition view, Project: 'How to manage the Apocalypse?'
(Apo)tropaion ‘2 Anthropomorpha Every piece, every line, every slit a presence that repels and surrounds his absence. – Chalk pastels on paper, paper band-aids 100cm x 80cm, framed: timber – white glazed maple, museum glas, 2012
Five Eyes - Chalk pastels on paper, cut out, 30 x 30cm, 2016 - Photograph: © Andreas Baudisch, Galerie Gerken